The Great Jewish Rock’N’Roll Swindle (Part 2/3)

Continued from Part 1

Diving in the poisoned waters of the Jew-owned rock music industry of yesterday and today

Part 2: Punk Jews supposedly ‘rebelling’ against the previous generation of Hippie Jews (Ha!)

Before starting I would like to add a quote for those who might think that Jewish rockers are only Jewish ‘by accident’ and, in no way, they are related to any cause pertaining the ‘Jewish cause’:

Perhaps even more than other American-Jewish rock stars such as Billy Joel and Bob Dylan, Lou Reed was fiercely proud of being Jewish – and included lyrics on behalf of Israel and against anti-Semitism in some of his songs. I mention Reed’s Jewishness because not a single obituary I have read of him in the mainstream press mentions it, when for Reed it was an important factor.’ – Taken from the article ‘Lou Reed’s Stand for Israel and against Anti-Semitism’ by Tom Gross on National Review.

Maybe Gene Simmons’ (KISS) overtly ‘grateful’ words to America, the country that gave him fame and riches, should be quite explanatory:

I’m Israeli. I’m a stranger in America. I’m an outsider,” he said, speaking in a hotel lobby across a valley from the walls of Jerusalem’s historic Old City. “I was born here and I’m proud of it.” – From article ‘Kiss Lead Singer Gene Simmons Slams Israel Boycotters’ by The Associated Press (Mar 22, 2011).

Another quote. This time by Simmons’ KISS partner, in his own words:

I grew up in a household where most of my parents’ friends had numbers on their arms and from the time I was little I was always aware of the Holocaust and I was always aware that I was Jewish… even if we didn’t practice, to this day I’m proud to be Jewish. I think it’s my obligation to all the people who for centuries have been persecuted, it’s my obligation to make sure that their story is told, that my children know it and that it never gets minimized or distorted.’ – Paul Stanley on Jewish identity (YouTube) [Text transcription by author].

Back in the 1980s, as a kid, I was immersed in all the hard rock music culture of the time (fortunately only to a certain extent) in spite of not having too much money to buy anything. I was some kind of ‘cultural renegade’ as well (if one wants to put it as such). I had my hair long, wore black t-shirts with colourful, extreme designs printed on them, and the whole nine yards. Nothing extraordinary though.

When there aren’t many role models to choose from, this Jewish-dominated culture takes charge of manufacturing them for the masses, especially for young folks. Mind you, not all of these role models back then were all that bad, but there were others who should be held accountable for their bizarre tendencies. For instance, those who introduced the gay-bondage underground subculture to popular music. At the end of the day all these non-Jewish artists became part of the agenda, whether they like it or not, but let’s take a look to the black hand behind the curtain.

Even if the image of leather jackets and motorbikes was already pretty much associated with rock’n’roll via movies like ‘The Wild One’ (1953), ‘Easy Rider’ (1968) and obscure outre films like the proto-gay ‘Scorpio Rising’ (1963) by homosexual director Kenneth Anger, it was the band Judas Priest via its singer Rob Halford who by the end of the 1970s popularized the image of the BDSM sub-culture for heavy rock fans. The Punk movement had also popularized this trend by some time earlier, thanks to people like (((Malcolm McLaren))) and Vivienne Westwood, both founders of the clothes store SEX where innovative and provocative fashion items designed by Vivienne herself were combined with authentic bondage & fetish gear. From this crossover of styles a ‘new look’ emerged; it was called ‘Punk’.

Malcom McLaren alongside Bernard Rhodes (another Jew) were the brains behind the emergence of the British Punk movement. The credit goes to Rhodes for discovering John Lydon (a.k.a. Johnny Rotten). It was he who arranged the famous audition in King’s Road for Lydon to join the Sex Pistols. Rhodes pull some strings for The Clash as well, not only as manager, but also as marketing and creative director (cohencidentally Mick Jones, guitarist and songwriter for The Clash, is Jewish too).

Malcolm McLaren and Vivienne Westwood. Notice the ‘great’ T-Shirt designs. I believe these were created by Bernard Rhodes himself. Malcom McLaren on Vivienne Westwood: ‘Vivienne was a conformist. When we met, she was a primary school teacher. She went to church every day. It would have come as no surprise to me if she'd offered to design the Queen's Silver Jubilee gown in 1977. She held culture on a pedestal, while I was always trying to knock it down’.
Malcolm McLaren and Vivienne Westwood. Notice the ‘great’ T-Shirt designs. I believe these were created by Bernard Rhodes himself. Malcom McLaren on Vivienne Westwood: ‘Vivienne was a conformist. When we met, she was a primary school teacher. She went to church every day. It would have come as no surprise to me if she’d offered to design the Queen’s Silver Jubilee gown in 1977. She held culture on a pedestal, while I was always trying to knock it down’.
Vivienne Westwood and Malcolm McLaren's store SEX, King's Road, London (ca.1976) with Jordan (pictured) the ‘sassy’ sado sex clerk that would accommodate your purchase at the boutique.
Vivienne Westwood and Malcolm McLaren’s store SEX, King’s Road, London (ca.1976) with Jordan (pictured) the ‘sassy’ sado sex clerk that would accommodate your purchase at the boutique.
Sid Vicious & Nancy (Laura) Spungen (a.k.a. ‘Nauseating Nancy’ by the press) in London 1978. Not that this character was anywhere relevant to the Punk movement save for the fact that she was Sid Vicious’ Jewish girlfriend, who also happened to be a schizophrenic with an insatiable appetite for hard drugs, described in the documentary ‘The Filth & The Fury’ (2000) by Sex Pistols’ guitarist Steve Jones as a ‘very strange bird with a dark cloud hovering above her’ (slightly misquoting the statement). The Spungens were a middle-class Jewish family from Philadelphia. Young Nancy was a difficult baby, ‘throwing crying fits and temper tantrums late into childhood’. The cause of her death has been a subject of endless speculation in the music press. The official narrative is that she was stabbed in the abdomen by her boyfriend (though that is very debatable). The case echoes Kurt Kobain’s story in the sense that he also had a Jewish girlfriend, Courtney Love, who in this case could have been the killer herself instead of the victim (though that is also material for speculation and ‘conspiracy theory’). Funny it was precisely Courtney Love who auditioned to play the role of Nancy Spungen in the Samuel Goldwyn Company's biopic ‘Sid and Nancy’ (1986) though the role was finally given to actress Chloe Webb (Courtney Love was finally given the role of ‘Gretchen’ in the same movie). It would have been a huge ‘cohencidence’ had Love gotten the role herself, but that is another story. As a piece of trivia, Courtney Love was the stepdaughter of once Grateful Dead’s publisher and road manager Hank Harrison.
Sid Vicious & Nancy (Laura) Spungen (a.k.a. ‘Nauseating Nancy’ by the press) in London 1978. Not that this character was anywhere relevant to the Punk movement save for the fact that she was Sid Vicious’ Jewish girlfriend, who also happened to be a schizophrenic with an insatiable appetite for hard drugs, described in the documentary ‘The Filth & The Fury’ (2000) by Sex Pistols’ guitarist Steve Jones as a ‘very strange bird with a dark cloud hovering above her’ (slightly misquoting the statement). The Spungens were a middle-class Jewish family from Philadelphia. Young Nancy was a difficult baby, ‘throwing crying fits and temper tantrums late into childhood’. The cause of her death has been a subject of endless speculation in the music press. The official narrative is that she was stabbed in the abdomen by her boyfriend (though that is very debatable). The case echoes Kurt Kobain’s story in the sense that he also had a Jewish girlfriend, Courtney Love, who in this case could have been the killer herself instead of the victim (though that is also material for speculation and ‘conspiracy theory’). Funny it was precisely Courtney Love who auditioned to play the role of Nancy Spungen in the Samuel Goldwyn Company’s biopic ‘Sid and Nancy’ (1986) though the role was finally given to actress Chloe Webb (Courtney Love was finally given the role of ‘Gretchen’ in the same movie). It would have been a huge ‘cohencidence’ had Love gotten the role herself, but that is another story. As a piece of trivia, Courtney Love was the stepdaughter of once Grateful Dead’s publisher and road manager Hank Harrison.
Rob Halford circa 1979. The ‘leather and studs’ image of Heavy Metal was brought by Metal God Rob inspired by the seedy underworld of gay BDSM which he himself frequented. I think many unsuspecting fans were still unaware of this factoid until very recently.
Rob Halford circa 1979. The ‘leather and studs’ image of Heavy Metal was brought by Metal God Rob inspired by the seedy underworld of gay BDSM which he himself frequented. I think many unsuspecting fans were still unaware of this factoid until very recently.

There is an article entitled Sex & drugs & herring rolls Punk’s Jewish roots revealed by Nick Hasted, which basically exposes how Jewish the phenomenon of Punk Rock was in its inception. At first it all might seem like ‘Jews taking too much credit for themselves’ but after reading these passages one definitively begs to differ:

Punk rock’s transatlantic fuse was lit when Malcolm McLaren saw Richard Hell in New York in 1975. McLaren, whose Jewish family background was in the East End rag trade, was already running the King’s Road boutique, Sex, with Vivienne Westwood. Hell, originally named Meyers, whose Jewish father had died back in Kentucky when he was eight, was sporting a black leather jacket, torn, scrawled-on and safety-pinned T-shirts, and short spiky hair. This prototype for the Sex Pistols had with his former band, Television, recently turned the club CBGB into the Bowery’s punk hothouse. The club was run by Hilly Kristal, Jewish too. By 1976, McLaren had parlayed Sex’s success with a radical form of schmutter into the Sex Pistols-led British punk movement. In London and New York, punk had substantial but rarely remarked Jewish roots.

As for Malcom McLaren an entire article could be written on his life and ‘miracles’. n entire article did I say? An entire book would be more appropriate. Among his ‘achievements’ I have to also mention his superb contribution to rap ‘music’ by ‘bringing hip-hop scratching to Britain’. Thanks Malcom.

In other words, McLaren takes heat for having been what we might call a “cultural Leninist,” someone who thinks that movements are more successful with a leader in the vanguard. Such sentiments are easiest to discern in the comments readers submitted to his obituaries, which were not subject to editorial smoothing. “Another degenerate bites the dust,” wrote one person in The Telegraph, implicitly indicting not only McLaren’s investment in fashion, but his retrograde conviction that people must be manipulated for their own good. – The Meaning of Malcolm McLaren by Charlie Bertsch (April 28, 2010) published by ZEEK

Or in other words, even in Punk Rock the subversive Jewish-Communist tendencies are there to be seen in plain sight.

The Ramones, 50% Kosher: Joey Ramone (Jeffrey Ross Hyman) second left and Tommy Ramone (Tamás Erdélyi) first on the right. It is said that Joey Ramone (who suffered of Marfan's syndrome) was a ‘self-hating Jew’. I have my doubts. I think he probably downplayed it. Certainly he didn’t look like a vicious Talmudic Jew necessarily, although one is left to wonder if one of the reasons why he used that false name was to hide his Jewish origins (but that is debatable since all members of the band, Jewish or not, did the same thing anyway). An off-topic tidbit; the four members in the photograph are dead. It’s the Punk life.
The Ramones, 50% Kosher: Joey Ramone (Jeffrey Ross Hyman) second left and Tommy Ramone (Tamás Erdélyi) first on the right. It is said that Joey Ramone (who suffered of Marfan’s syndrome) was a ‘self-hating Jew’. I have my doubts. I think he probably downplayed it. Certainly he didn’t look like a vicious Talmudic Jew necessarily, although one is left to wonder if one of the reasons why he used that false name was to hide his Jewish origins (but that is debatable since all members of the band, Jewish or not, did the same thing anyway). An off-topic tidbit; the four members in the photograph are dead. It’s the Punk life.
Jews for sale: Joey Ramone posing with a KISS stand in a record shop in Houston (1977). For what I know that ‘KISS’ logo has always been outlawed both in Israel and Germany obviously for containing the two SS runes in it. That is not the first time Jewish rock musicians steal National Socialist symbols. The band Blue Öyster Cult for instance (which, for what I gather, had at least three Jews in its line-up) caused uproar in the Jewish communities of their native Long Island for sporting iron crosses and all sorts of ‘dangerous’ regalia back in the early seventies. These were times of gratuitous rock gimmicks though just for shock value.
Jews for sale: Joey Ramone posing with a KISS stand in a record shop in Houston (1977). For what I know that ‘KISS’ logo has always been outlawed both in Israel and Germany obviously for containing the two SS runes in it. That is not the first time Jewish rock musicians steal National Socialist symbols. The band Blue Öyster Cult for instance (which, for what I gather, had at least three Jews in its line-up) caused uproar in the Jewish communities of their native Long Island for sporting iron crosses and all sorts of ‘dangerous’ regalia back in the early seventies. These were times of gratuitous rock gimmicks, though just for shock value.

I suppose what I am getting at is that, well, he was Jewish. Didn’t he find the swastika repulsive? ‘Not at all. I didn’t give a damn about all that. I thought it was just great.’ He didn’t give a damn about the Holocaust? ‘Look, sometimes a younger generation doesn’t want to inherit the history of an older generation, so we wanted to appropriate the swastika for ourselves. We wanted to have a clean slate. We decided that we liked certain icons from the past and wanted to reinvent them. We were trying to mix pop culture with politics and art.’ from Malcolm McLaren: Punk? it made my day by Nigel Farndale (Sept 30, 2007) The Telegraph

In that era most bands coming from New York had obviously many Jews in their line ups, among them I should mention The Ramones, KISS, Blue Öyster Cult, Suicide, Television, The Velvet Underground (with Lou Reed), Blondie, The New York Dolls, and The Dictators (pictured) who nowadays have achieved to be almost a 100% Kosher band.
In that era most bands coming from New York had obviously many Jews in their line ups, among them I should mention The Ramones, KISS, Blue Öyster Cult, Suicide, Television, The Velvet Underground (with Lou Reed), Blondie, The New York Dolls, and The Dictators (pictured) who nowadays have achieved to be almost a 100% Kosher band.

To conclude this part I will say that ‘Punk’ as a social phenomenon should NOT be underestimated. Even if ‘Punk Rock’ as a musical style might have been a somewhat ‘organic’ phenomenon in its inception it is pretty self-evident to me that the whole movement was part of the Cultural Marxist agenda which hit the Western World after WWII, especially taking into account how fast the whole thing spread throughout England without the need of much ‘promotion’. ‘Punk’ shows all the elements of a camouflaged Marxist cultural revolution, never mind the swastikas. Elements such as the emphasis on the widening of the divide between classes (the ‘haves’ and the ‘have-nots’, taking John Lydon’s own words) and the revolt against previous generations (including hippies) should be quite telling. We are here talking about the England of the ‘Winter of Discontent’, the rampant unemployment, the hyperinflation, the strikes and the heaps of uncollected rubbish bags piling up in the streets of London. It was the perfect ‘chaoscenario’ for such generational phenomenon to happen, and as we all know now, when such things manifest themselves (whether they are organic or not) the Jew is going to be there pulling the strings behind the curtain, channeling the anger of the downtrodden to achieve his own plans. Those who might remember those years will be able to address how influential this social phenomenon was in the fields of art, media, fashion, literature, and of course music, during that decade but especially during the 1980s.

I was the ultimate mismanager because I was looking for ways to create chaos. The Sex Pistols were young and ignorant… We wanted to create an artistic movement that would be like a political revolution. We wanted anarchy’… True. So he sees punk as his legacy to the world? ‘People are beginning to learn the truth about punk, and how instrumental I was in the development of it. That will change the way people will think of me. That will be in the obituaries. As barbaric a culture as it is, the English Establishment is coming to terms with the fact that punk was the best thing that ever happened to it. It wouldn’t be the country it is today without punk.’ – Malcolm McLaren: Punk? it made my day by Nigel Farndale (Sept 30, 2007) The Telegraph

The Winter of Discontent: Mountains of rubbish and punk rock.
The Winter of Discontent: Mountains of rubbish and punk rock.
Sex, drugs and self-debasement

An article of this calibre would be incomplete without mentioning The Velvet Underground. The Velvet Underground was an American band active from 1965 to 1970 under the leadership of the same man by which I started this article; Lou Reed. Although if the band never achieved any commercial success in its heyday, Velvet Underground is often mentioned by many critics as ‘one of the most important and influential groups of their era and to many future genres’.

The Velvet Underground was a book about the sexual underground of the early ’60s by Michael Leigh that Cale found when he moved into his New York City apartment (left by previous tenant Tony Conrad). Reed and Morrison have reported the group liked the name, considering it evocative of “underground cinema”, and fitting, due to Reed’s already having written “Venus in Furs”, inspired by Leopold von Sacher-Masoch’s book of the same name, dealing with masochism. The band immediately and unanimously adopted the book’s title for its new name.” – From The Velvet Underground’s wikipedia article.

‘Mirror, mirror, who’s the most degenerate rock star of them all’. Lou Reed in 1979.
‘Mirror, mirror, who’s the most degenerate rock star of them all’. Lou Reed in 1979.
The Velvet Underground with Nico and Andy Warhol (center picture) ca. 1966.
The Velvet Underground with Nico and Andy Warhol (center picture) ca. 1966.

By 1965 modern ‘artist’ Andy Warhol replaced Velvet Underground’s previous Jewish manager Al Aronowitz, a move which put the band on the spotlight as it helped the group gain a ‘higher profile’, though that was only for a stint. The philosophy of the band was pretty much self-explanatory with titles such as Sister Ray, Waiting For The Man and Heroin among others. Lou Reed (who was the main composer) also explored other themes such as masochism, wife beating, transvestism, homosexuality and more heroin addiction later on during his solo career in the 1970s with albums such as Transformer (1972) and Berlin (1973). Velvet Underground were the definitive early stepping stone for Punk Rock.

Now, who’s that knocking
Who’s that knocking on my chamber door
Now could it be the police
They’ve come to take me for a ride ride
Oh, but I haven’t got the time time
Too busy sucking on my ding dong
She’s too busy sucking on my ding dong
Oh, now, just like Sister Ray said
I’m searching for my mainline
I couldn’t hit it sideways
I couldn’t hit it sideways
– ‘Sister Ray’ (last paragraph) by Velvet Underground, 1967.

Turning rock fans into punk-looking ladyboys (or worse)

As a tiny example among this whole subcultural miasma I want to mention the phenomenon of Glam Rock, especially the Glam Metal of the 1980s (a direct musical descendant of both 70’s Glam Rock and Punk Rock) and how Jewish-controlled all that was.

How many Jewish singers related directly or indirectly to the ‘Glam Rock’ and ‘Punk Rock’ phenomenon come to mind? I can name a few; Marc Bolan (T.Rex), James Newell Osterberg a.k.a Iggy Pop, Gene Simmons (Chaim Witz) and Paul Stanley (Stanley Harvey Eisen) from KISS, Joey Ramone (Jeffrey Ross Hyman) from The Ramones, Lou Reed, David Lee Roth of Van Halen, Ric Ocasek (Richard T. Otcasek) of The Cars, Chris Stein of Blondie, Dee Snider of Twisted Sister, Sylvain Sylvain (Sylvain Mizrahi) of The New York Dolls, Bob Geldof of Boomtown Rats, Mick Jones (Michael Geoffrey Jones) of The Clash, Tom Keifer of Cinderella, Eric Bloom and Sandy Pearlman (singer/guitarrist and manager respectively of Blue Öyster Cult) and many, many others. Even the founding manager of The Sex Pistols Malcolm McLaren is a descendant of Portuguese Sephardic Jewish diamond dealers (no kidding, check his wikipedia entry).

But going back to England, one of the most exemplary stories is the one of Def Leppard, brilliantly illustrated in the article Rock of the Illuminati; The Def Leppard Story by Timothy Fitzpatrick. Is it any wonder why Def Leppard’s managerial team was headed by two Jews named Cliff (((Burnstein))) and Peter Mensch? (both from Q-Prime Management) Funny enough, Def Leppard’s lead singer John Elliot is a Jew as well, so everything falls into place nicely.

Joe Elliot (Def Leppard). Yes, he is Jewish.
Joe Elliot (Def Leppard). Yes, he is Jewish.
The New York Dolls with Sylvain Mizrahi (second right). For what I gather Malcom McLaren also used these people as blueprint for the Sex Pistols. He also provided them with ‘stage gear’.
The New York Dolls with Sylvain Mizrahi (second right). From what I gather Malcom McLaren also used these people as blueprint for the Sex Pistols. He also provided them with ‘stage gear’.
Mötley Crüe: Pretty White guys dressing like red light district whores complete with make-up and spandex, only the very sexually devious Jew could have devised such trend for young rock fans to emulate. Needless to say Mötley Crüe’s first manager was a certain (((Allan Coffman))) together with assistant Eric Greif. It seems the band have enjoyed the ‘services’ of other Jewish managers ever since. The band went through a bunch of lawsuits due to managerial mishandles (how surprising) according to the band’s wikipedia entry. Sure these Jews are cute! - Just ask the Motleys.
Mötley Crüe: Pretty White guys dressing like red light district whores complete with make-up and spandex, only the very sexually devious Jew could have devised such trend for young rock fans to emulate. Needless to say Mötley Crüe’s first manager was a certain (((Allan Coffman))) together with assistant Eric Greif. It seems the band have enjoyed the ‘services’ of other Jewish managers ever since. The band went through a bunch of lawsuits due to managerial mishandles (how surprising) according to the band’s wikipedia entry. Sure these Jews are cute! – Just ask the Motleys.
Heavy Metal Clown Dee Snider: He refused one of his songs be used by Donald Trump in his 2015 campaign, though he is still ‘friends with him’ (or so it seems). Aside from that and him being hideously Jewish... nothing else to add.
Heavy Metal Clown Dee Snider: He refused one of his songs be used by Donald Trump in his 2015 campaign, though he is still ‘friends with him’ (or so it seems). Aside from that and him being hideously Jewish… nothing else to add.
KIKEZZ, Kosher Than Hell: They are all about pizza, wacky coffins and supporting Israel unconditionally.
KIKEZZ, Kosher Than Hell: They are all about pizza, wacky coffins and supporting Israel unconditionally.
They also make a lot of shekels in between with other kinds of merchandising.
They also make a lot of shekels in between with other kinds of merchandising.
The lavishly awarded ‘Sir Bob Geldof’ is still a Boomtown ‘Rat’ for what it seems. He also hates Nigel Farage for some reason. The former ‘Punk Rocker’ is currently a businessman and current adviser for the ‘project’ (racket I should say) ONE along with Bono. He is also engaged in other (((charity work organizations))). His family is pretty much engaged in the Jewish lifestyle for what I have found out. Geldof was worth £32 million in 2012 according to wikipedia... so punk!
The lavishly awarded ‘Sir Bob Geldof’ is still a Boomtown ‘Rat’ for what it seems. He also hates Nigel Farage for some reason. The former ‘Punk Rocker’ is currently a businessman and current adviser for the ‘project’ (racket I should say) ONE along with Bono. He is also engaged in other (((charity work organizations))). His family is pretty much engaged in the Jewish lifestyle for what I have found out. Geldof was worth £32 million in 2012 according to wikipedia… so punk!

By no means I’m covering all rock’n’roll Jews from the 70s and 80s with this article (among them The Beastie Boys, a 100% Kike band); far from it. My intention has been to only focus on the ‘pioneers’ of the movement. I invite the reader to use this exposé as a stepping stone to start his/her own research, with that intention and before closing this article I would like to add a list for those who wish to do so. I have to congratulate metapedia for having done such a good work putting together this long, long list, though I have my doubts about the Jewishness of some of the musicians included in it (Ace Frehley is definitively NOT a Jew. Roky Erickson, I have no evidence of him being Jewish):

David Lee Roth by Eric Yahnker's Design

List of Jewish American singers and songwriters by metapedia

http://en.metapedia.org/wiki/List_of_Jewish_American_singers_and_songwriters

Conclusion

Going back to my opening comment about ‘role-models’ it is almost inevitable for me not to think about the ‘legacy’ of people like Lou Reed and The Velvet Underground, how crystal clear it appears to me now that all the hyped reputation they gained along the line as a ‘pioneering’ band was part of the same subversive Jewish psychological agenda. Certainly characters like Andy Warhol were not there by accident. Funny to think The Velvet Underground’s music was not that ‘original’ after all, since the psychedelic music scene in the America of the late 1960s was in a state of experimental flux, practically anything went. It was the ‘spirit’ behind it what made that music so ‘different’ just by ways of being utterly filthy and depressing, courtesy of Lou Reed, a degenerate Jew.

Young people are always attracted to ‘new’, ‘exciting’, ‘cool’ and ‘dangerous’ things, but what was the alternative to this subversion back in the 60s and 70s? So-called ‘Satanism’ and the occult? Christianity? A combination of both drugs and Christianity? Why does wikipedia state that Lou Reed’s Velvet Underground is ‘one of the most important and influential groups of their era and to many future genres’? Is this a way to consolidate their legacy as something that is going to be forever self-perpetuating as an intrinsic part of this current ‘pop culture’?

A few months ago I publish an article entitled The Need For A New Musical Movement in which I clearly stated why we need to create something for the future generations of white youngsters to feel identified with. A fresh ‘pop culture’ which glorifies our white values, not the other way round. What is really ‘cool’, ‘exciting’ and ‘dangerous’ these days for young people? That’s right – National Socialism. We must make sure we are the cultural vanguard now. As I said recently we don’t need ‘hedonism’ but ‘heathenism’, so let’s have something that the Jew cannot besmirch with his filth. Let’s have ‘National Socialist Rock’.

Next and last episode will be about the occult agenda in classic rock music.


References:

– Lou Reed’s Stand for Israel and against Anti-Semitism by Tom Gross (October 28, 2013) National Review

– Lou Reed was on our side, Israel supporters say by Mondoweiss (October 29, 2013)

– Lou Reed’s paradoxical Jewishness by The Times of Israel (October 27, 2013)

– Dr. Hans Utter on Music, Mind Control and Weaponized Anthropology (youtube)

– Rock of the Illuminati; The Def Leppard Story (October 2012) Fitzpatrick Informer

– The Filth & The Fashion | Vivienne Westwood’s 70’s Sex Rag Revolution (October 7, 2010) The Selvedge Yard

– Sex & drugs & herring rolls: Punk’s Jewish roots revealed by Nick Hasted (Wednesday 26, 2014) Independent

– New World Order Occult Images in Contemporary Christian Music by David J. Stewart (September 2010)

– The Jewish Control Over the Entertainment Industries by Wes Penre (December 23, 2007) Illuminati News

– Kiss Lead Singer Gene Simmons Slams Israel Boycotters by The Associated Press (Mar 22, 2011) Haaretz

– Jew Dee Snider May No Longer Let Fuhrer Trump Use His Twisted Sister Song “We’re Not Gonna Take It” At His Rallies by Lee R (December 2015) Infostormer

– The Meaning of Malcolm McLaren by Charlie Bertsch (April 28, 2010) ZEEK

– Malcolm McLaren: Punk? it made my day by Nigel Farndale (Sept 30, 2007) The Telegraph

– Before Oi! there was Oy! Punk’s Jewish roots by Bonnie Rosenstock (Jan.2, 2007) The Villager

– Counter Jews (Lou Reed, McLaren & Other Punks Like Alan Vega Marty Rev From Suicide) by Pier Marton (Oct 29, 2013)

– Jewish Punks Embrace Nazi Rhetoric and Imagery by Michael Croland (May 14, 2008)

– Never mind the swastikas; the secret history of the UK’s ‘Punky Jews’ by Vivien Goldman (27 February 2014)

– Punk impresario Malcolm McLaren dies at 64 (Apr. 9, 2010) by The Jewish Journal

– Before Thatcher Came To Power, The UK Was Literally Covered In Gigantic Piles Of Garbage by Adam Taylor (April 8, 2013) Business Insider

– The Religious Affiliation of Grunge Rock Singer, Courtney Love (2014) by Adherents.com

– Courtney Love Enters the Tribe by Danielle Berrin (January 28, 2009) Hollywood Jew

– [Book] The Heebie-Jeebies at CBGB’s: A Secret History of Jewish Punk (2008) by Steven Lee Beeber

– ‘I was nervous about meeting Bob (Geldof)’: Meet pregnant Peaches’ charming rock’n’roll lover by Sharon (((Feinstein))) (Jan 29, 2012) Mail Online

– The Unbearable Heaviness of Jewish Self-Hatred by (((Walter Ruby))) (date 2000) CLAL The National Jewish Center for Learning and Leadership

– Joey Ramone Being Asked If He’s Jewish (1991) YouTube

– Blue Öyster Cult Explains the Umlaut by Michael Kaminer (April 17, 2013) Forward

– Nancy Spungen Wikipedia

– The Velvet Underground Wikipedia

– Mötley Crüe Wikipedia

Note: Some of the parenthesis in certain names have been intentionally added by the author.

 

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35 thoughts on “The Great Jewish Rock’N’Roll Swindle (Part 2/3)

  1. Deal with it. Jews excel in rock ‘n roll and every discipline due to talent, a strong work ethic, and a reverence for education.

    Meanwhile, you white trash heathens just incessantly bitch and moan about how you’re disadvantaged. If you spent as much time trying to better yourselves as you do hating on Jews, maybe you’d have a better and happier life.

    Like

    1. Why dont you eat shit and die asshole! Jews are soul less bastards that USE the talent of others…. you feed off of their talent like parasites. JEWS get to be in the forefront because of CONTROL systems set in place and paid for by their rich MAFIA! Without that money and control you would cower under bridges just like in the old days like the drooling TROLLS you are.

      Liked by 3 people

      1. Typical response … blame others for your personal failures and shortcomings. In arts and entertainment, Jews are renowned writers, actors, musicians, comedians and Nobel prize winners recognized the world over. (Except in your little enclave of white trash losers). Consumers or all races, creeds and colors gladly buy their books, see their movies, listen to their music — out of their own free will.

        Like

    2. And by the way I am NOT disadvantaged… we are working our asses off to take you out. Enjoy your bullshit while you can. I have more talent in my pinky finger than you could ever imagine and so do the women I am training. We will block you out of the industry soon… and I dont give a f-uck who you cry to about it.

      Liked by 3 people

      1. @southerns..

        Don’t waste time with the psychotic zionist trash on hormones.

        Lies, yells and sometimes high pitch from butt hurting: this is what this hybrid, obscene creature produces all around the net-

        Its IPs are well known, as well as its email addresses …

        Liked by 3 people

      2. You’re talented? At what? Hate, racism and bigotry? That’s a talent to be proud of. I really don’t think an insignificant group of talentless nobodies like yourself is going to block anyone out of any industry. Keep dreaming, sweetheart.

        Like

    3. Fights on you little bitch… you just sit back and watch as you rub your little wee wee up against the BIG BLACK CUBE of your forefathers…. brain damaged weirdo.
      Talented, connected… in your den and about to kick your ass bitch! And you wont see me coming because I look so nice and sweet… knocking your fags out of the game too… one by one. Filth.

      Liked by 3 people

  2. Judah Priest was my first concert in 1984, i was 13. The tshirt I brought home from that show, which I had to hide from my Christian parents, featured a pair of female hands bound behind her back. The tour was called defenders of the faith. Oh wait….(((faith))). 😂
    Great article. Also, i agree, I think roky erickson of the 13th floor elevators (texas!!) may not be a part of the club, but his mental problems a result of being associated with them.

    Liked by 2 people

    1. Rudolf — isn’t it bad enough you destroyed NoDisinfo? Now you’re trying to do the same to this site? You and your empty threats and imaginary Nazi friends. What a joke.

      Like

      1. You have been flushed by your own zionist site moderator, Miss hormones.
        Do you want me to repost your yells or you prefer t come over to my g+ account, drop a like and get all the private fun for you?

        Liked by 3 people

  3. @ Jg: Gaybob, you are a deflective deviant. In fact your zionist jooz are self appointed ‘stars’ of their own zio establishment. Nothing more.
    Let’s me break it down slowly for you:
    their perverse music (but the reasoning fits well all modern…arts) is the echochamber of your own heinous attempt to disrupt Culture.

    Although many foreigners (and locals too) don’t mind a fuck about what you keep blabbering in your ‘songs’,
    in some way the cryptic, twisted imagery and subliminal or explicit messages of sexual delusions, misgenetion, homosexual and transgender propaganda do pop out from that deviant form of zionist entertainment for the masses you call music.

    And it’s not good sight for the witness.

    We can safely state that the zionist establishment plays the music and sings its song. It is the same ol’ self referential way to have it accepted by the brainwashed masses.
    Yet there are great parts of the world in which your disruptive message is trashed as deserved.

    And many a zio jew have died in some public crapper in the vain hope to overcome the rightful censorship.

    Many stars and starlets of your zionist music brothel are today nothing else that perverse cartoons. Others, like ‘The eagles of the death-metal’ are simply actors involved in zio hoaxes.

    It’s hard to get the buck, folk! These zionist geniouses have to stick to their masters if they want their crumb of notoriety.
    In no way a jew has ever provided something useful to Arts.

    The filthy quasi-breed of zios have been boycotted and despised since the monumental hoax of the Red Sea, which you’d surely remember.
    Any of them has been busted wide open by many truthers, and the article published here unveils the filth covering you, amoral Liers and sell outs.

    Time for another holy ‘crossing’ or time to ask the Moloch for a new Nobel?

    Liked by 4 people

      1. Mina,

        the proper term, of which I’m actually proud to own the TM is…: ‘naZZi’.

        You will notice:

        1) the lower case initial letter
        2) the contracted, zio-minted form
        3) the double ‘Z’.
        These consonants are able to trigger a mental association in our Boobuses. Or a spinal reflex, if you wish.
        A scaring one: Like the SS, in fact, the ‘ZZ’ do sound harsh & threatening to their deballed, politically fair ears. Their mind runs up to Black Boots and Werwolfs. Ancestral Sorrow and Tall Tales of the holoHoax kick in rapidly turning our zio Bubba into a zio inflatable doll ready to be kicked around like a ball in a NFL final race.
        Thus, for their own joy, Natzweiler becomes NaZZweiler. And Boots, just BootSS…:)

        Like

  4. We have all been sticking to ‘classic’ rock for years:

    ‘Rolling Stones, Emerson Lake & Palmer, Pink Floyd, Deep Purple, Eagles’ et al.

    Since then, a lot has been changing: nowaday’s ‘groups’ are animated by zionist controlled asshats who spend their time trying to badly emulate what the rock of the 70s was.
    Eric Clapton, Simply Red and others are the 2nd wave of rockers, and, musically speaking, they’re quite good.
    In any case we have to contestualize what we are listening too, screaming the redundant propaganda off the songs (1Khz eq’s cursor down and there we go…).

    I honestly prefer white blues (John Mayall) or old style blues for the spare time. Much more genuine.

    Nonetheless I’ve recently re-discovered good, quite honest singers and musicians:
    Bruce Cockburn, Steve Earle, the Who’s Who.

    Check the following piece from the the latter: ‘American Woman’

    Actually it’s a protest against the consumeristic (zio) society of warmongers the one the singer performs.

    Listen to the words:

    Liked by 1 person

  5. Jewish music is horrible and whiny, in fact all pop music is horrible. Kikes have no talent but become famous because of their tribal network. Mahler, Bob Dylan, Leonard Cohen and Kiss all show that Jewish music sucks. Punk and rock is very primitive music and jazz is just chaotic improvisation. Anyone who likes Jewish music never heard real music before. I prefer pagan folk/metal, progrock and some classical (medieval/renaissance) music; made by whites for whites.

    Liked by 1 person

  6. Then, if we want to make it nice, we can listen to Beethoven, Wagner, Kalkbrenner, von Weber et al. And, why not, Strauss. A great therapy when studying or working on the PC.

    Like

  7. Dear Sinead, dear oh dear oh dear! Where do I start? First off never rely on sources such as Metapedia. (They think that everyone is Jewish.) And secondly these people are NOT Jewish! (Some you got right and some you didn’t): The only Jewish performing member in BLUE OYSTER CULT is Eric Bloom:”Blue Öyster Cult Explains the Umlaut – The Assimilator – Forward.com
    forward.com/the-assimilator/174938/blue-oeyster-cult-explains-the-umlaut/
    Apr 17, 2013 – Eric Bloom is the only Jewish member of metal band Blue Öyster Cult.”
    NOT THE REST OF THE BAND! TELEVISION were NOT Jewish! Christ Stein was the only Jew in BLONDIE Not the rest of the band. 2 of the original members of RAMONES and 2 of the original members of KISS were not! NOT all the members of The NEW YORK DOLLS were Jewish! Only Sylvain Sylvain. Lou Reed was the only Jew in THE VELVET UNDERGROUND (The other members, were not!) Marc Bolan was only half-Jewish (if there is such a thing) on his Father’s side. IGGY POP is NOT JEWISH!
    RIC OCASEK (Richard T. Otcasek) of The Cars is NOT Jewish! The only Jew in said group was ELLIOT EASTON. DEE SNIDER of TWISTED SISTER is half-Jewish on Father’s side. Members who are/were Jewish: Jay Jay French and Mark “The Animal” Mendoza!! SIR BOB GELDOF was only half-Jewish on Father’s side too. And TOM KEIFER of CINDERELLA is definitely NOT Jewish! (Don’t know where you got your info from, about that) and JOE ELLIOT of DEF LEPPARD is NOT Jewish! And AD-ROCK of BEASTIE BOYS is only half-Jewish on Father’s side. Part apart from that, great job!

    Like

      1. Ah yes. Sorry about that Sinead. I see who wrote it. It was a guy called Robert Heimdal. Still he needs to be properly educated in who’s a Jew and who’s not a Jew.

        Like

      2. Yet, they all bath in the same zio sewer.

        You can’t get ‘success’ if you don’t sing with them.

        Joo or not Joo, they all stick to the ol’ zio soundtack, apart from a very limited number of courageous outcast performers.

        Liked by 1 person

  8. Slightly off topic. But still relating to the Jews. I don’t know why the Jews get so god-damn offended when people like Gary Oldman state that the Jews run Hollyweird, er I mean Hollywood. But it’s true they do! I mean they really do?!? What’s to be so damn offened about?!? G_d, I just don’t and never will understand them.

    Like

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